originally posted on tumblr, July 7th 2023
Stone Monkey: himbs baby, that is all <3 he’s mostly based off the François Langur, but some of his anatomy and proportions lean more on the Gray Langur and Macaque side of things. His facial fur sort of forms a pentagon shape for the five elements, and I gave him ginger fur cus it’s a common depiction for him but also baby langurs are very bright orange, and him not growing dark feels like an apt display of his more childish side, both good and bad. His nails are golden for a bit of a “hidden gem” from a stone egg. Also keeping the tail either in a spiral of C-curve when “engaged”, and when droopy it has a feel of a heavy rope. Old World monkeys don’t have prehensile tails, he can use it for balance and basic mobility but it’s not a third hand for the sake of keeping his monkey-ness.
Handsome Monkey King: in one of the poems the monkeys are said to weave grass for mattresses, so I can see them coming up with a crown of woven grass and never-fading leaves and flowers for their king at the very least. His face skin is darker as an adult, but not much else changes overall. The fuzzy upper lips and sideburns are a feature of the species I’m basing him on and it felt like a good fit to add. I also love the forest langurs are so long-furred, makes for a good way to give him dimension but also, the linework style reminds me of old woodcut shorthands for fur. Added a jade coin for the symbolism, and it feels fitting that the king of such a miraculous mountain would have a treasure like that on him. Placcid chill eyes are imperative, dude’s not had an existential crisis yet, he’s straight up vibing.
Sun Wukong: during his odd-ten years away from home, he learned human manners so he can stand but, I can see him still needing to lean on his tail to keep up his balance here and there. As he reaches the Western Continent (India) and learns the Way under Patriarch Subodhi, he adopts proper clothes for an apprentice and eventually becomes a Rishi. He dons his facial paint from then on, and after he masters the Way, there’s a brightness in his pupils to show his cultivated immortality. The beads are purple solely to stand out over the deluge of oranges that is his design.
Great Sage Equal to Heaven: really went all out on this one orz this is Wukong at his most egotistical and ambitious, and I wanted his fit to truly embody that. Took bits from Peking Opera costumes and common depiction elements of him, with some bit of extra for appropriate levels of flair, like the phoenix feather design. I wanted to go for a mountain pattern mail but I couldn’t figure out how to draw it, so I winged a pattern. I,,, doubt I’ll ever draw this armor as detailed as here, but I wanted it to feel a bit overwhelming to look at, while also seeming like it doesn’t quite fit him perfectly like it’s swallowing him. Bit of a “baby wearing their parent’s shoes” kind of vibe; he’s stupidly powerful but he doesn’t have what it takes to sit on the throne of Heaven. Also I leaned his expression to how he might appear during the Havoc in Heaven and then his bet with the Buddha. Full unbrindled rage murder monkey <3
Ruyi Jingu Bang: can’t quite move on without my notes on the golden-hooped cudgel, now can I? The secondary hoops are there for further design appeal and for my own visualization of how the staff changes size (the hoops move over the staff’s length as if to push it outward or inward). The metal is dark damascus alloy, though the pattern can be omitted for ease of drawing. One hoop end depicts a dragon, the other a phoenix, and in the middle of the staff is the canon inscription as described in the books, in seal script. Glow is optional and mostly for aesthetics.
Sun Pilgrim: out of his stolen armor, Wukong seems to swim in his robes but in a less overwhelming way. Went for the simple fillet headband cus his face is busy enough as it is. I know he’s skilled enough to skin a tiger into pretty decent squares, but after one too many battles, anything would get tattered. He wears red, teal, black and yellow, four of the five cardinal colors, while white (the West) is still missing. His red and black half-robe doesn’t fully cover the yellow underneath, a call back to his golden armor; he tries to use his wisdom and teachings to fight back the impulses of his past, but they still shine through at times. I kept only the leg bangs for dynamic elements to better show movement, but also one could say he’s got…. golden hoops (haha get it, like his cudgel?? :oD)
Victorious Fighting Buddha: leaned hard on the actual portrayals of the Buddha. Seeing that he’s depicted with dark/blue skin, it felt appropriate to let the guy grow out of his baby ginger fur and into adult black, but a patch remains where the golden headband used to be. I didn’t want to give him long hair so no bun, but instead, his fur has a sorta lotus-petals shape now rather than his single point. His face paint changes into a more domino-mask style, and his brow white line resembles a teardrop urna. I made the mail piece he holds longer to keep the flowy bits of his previous outfits, and I turned Ruyi Jingu Bang into the sword he wields.
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