originally posted on tumblr, May 23rd 2023
okay so, I'm going to get to Lucy Stillman and the franchise's treatment of her, but i think I need to explain my own feelings about the portrayal of the modern brotherhood first. I do not buy the "brotherhood = conspiracy theory cult" angle. It's flawed and leads to terrible takes overall, by the lore and by the fandom.
It's a holdover from the fact that the game decides to run with conspiracy theories that we have in the real world, and assign them all to the Isu. they even poke fun of it in the earlier games with the whole lizard people and space wizards in tinfoil hats comments. now that's a whole can of worms in itself given how deeply racist and antisemitic the overwhelming majority of conspriacy theories are, but it's not a good way to portray the assassin brotherhood because that's not what they are. they are far leftists. they are anarchist cells, they are commune organizers, they are revolutionaries. that's not me saying it either, that's just canon, plain and simple.
but that would make the story too close to real-life politics and they can't do that cus it's not in their interests.
therefore, the brotherhood is coded as isolationist cultists, or at least as far as The Farm goes. in current year, i think we can all agree there's an inherent fallacy (if not outright disengenuous portrayal) of painting your leftist organization fighting against the capitalist neocolonial hegemony with the same strokes as the whacky people starting communes in the middle of nowhere to escape 5G towers, fluoride water and the [insert villanized minority group here].
i don't buy it, i don't appreciate it, and i think we could have had a stronger story without it, even regarding Desmond's backstory.
THAT SAID, let's take a look at Lucy. her's is the story of a girl who was forced into adulthood too early after being left to her own devices by a very sheltered and isolating community that failed her, and then inducted into a cult which ultimately killed her and then was promptly swept under the narrative. that cult is the templar order by the by.
Lucy was born and raised within the Brotherhood, and pretty much set lose on the world with no connectiosn to speak of. surely they must have given her a paper trail, fake parents and school enrollments, medical records, the works. she was told to infiltrate Abstergo and probably given a general path towards that, namely research that could be useful to them, but otherwise? she was on her own.
first thing that comes to mind is when Amish folks get their time away from their hometown to experience the world and choose to come back or not. i can't comment on their experience and general view on this so i won't attempt to draw a parallel here, but just that initial mental connection speaks for itself imo.
She speaks of having to wait tables to make ends meet, and while that's the socially expected experience of solo living for a young adult leaving home (work minimun wage jobs, go to college, climb the chain, start small, etc), she has no home to return to. In fact there's this looming tension that even opening up to missing her home or going into detail about it could blow her cover. Even in the privacy of being around friends and colleagues, there's this necessity of keeping up a front. She has to buy it so deeply it becomes her, inside and out, and doing that at such a formative age is bound to take it's toll.
You're removed from everything and everyone you've ever known. You don't know when or if you'll ever see them again. In fact they can die at any moment and you might never hear about it. Contact with them is a fraught and dangerous thing, and even the slightest slip could spell your doom and theirs. Connection is a constant swinging sword of Damocles over her, and who can take comfort and solace from community like that? No one, is who. So of course she'd seek that away from where she could endanger everyone.
So in comes Vidic. She knows he's a templar, of course she does, but he's kind and understanding, a bit frustrating and headstrong, but she can usually talk him into chilling out here and there. And of course, one can draw a parallel between him and Bill. Both are strict and charismatic (in their own way) father and mentor figures, but while Bill is cold and hard, Vidic feigns affection (as Haytham so eloquently put) and the worst part is, it works. Any affection and attention is good attention for the starved, and Lucy's been on the end of her ropes since she's been outside of the Brotherhood.
She knows and can see it's all manipulation, she's not that blind of course, but it chips away at her. That's what emotional manipulation does after all. And then, in come the agents to kill her, and Vidic stops them.
All her life she's heard how brutal and merciless the templars are, and surely she's seen it too while working under them, but right when her facade slips and she should be dead, she's not. Because Vidic spares her. Of course that leaves a deep impression on her, and further erodes her resolve. Slowly but surely, she opens up, and Vidic is an expert at what he does. She may hold quite a bit of guilt and shame at turning, but the templars were there when the brotherhood wasn't.
Bill says that of those they send to infiltrate the templars, they are either "too strong" and can't keep up the charade, or are "too weak" and turn. How is being a human being who needs connection and community "too weak"? How is being slowly lovebombed and manipulated into choosing the wire mother and then being foresaken the plush one when in need weakness?
Desmond says that she "seemed so sincere, like she really wanted to make a difference", and I truly believe she did. Her morals and belief were twisted through years of emotional torture and isolation, and she knew she couldn't return to the brotherhood after how far she caved under the pressure. There's no space for the nuances and endless gray areas of such an unbalanced war in the current brotherhood, and she knows it, so throwing in with the templars for her was the lesser evil. She's not fool enough to buy their propaganda wholesale, but it's a necessary concession in her mind so she can excuse her taking advantage of their attention and community. Again, as long as she's useful to them, she has a place among them.
However, the way she's treated by the narrative is... w o w. We never get the chance to hear it from her side, expect by a pathetically short email on the ACR dlc. While having the protagonists agonize over someone's beliefs after their passing and finding no solid answers, they really don't spend nearly enough time for that to carry much weight narratively. In fact, there's hardly much of a critique on the conditions that led her to that kind of fall from grace, and even less is done to fix it.
She, much like Clay, are the epitomes of how the brotherhood is mirroring too much the templar's and Juno's disregard for human life, and how that needs to change in order for them to turn the tides. But nothing comes of it, because our anchor to the modern timeline gets doomed by the narrative and now all those loose plot holes go nowhere. Her funeral, her burial, her memory, it all gets waved about like an annoying gnat on the dinner table, and nobody does anything but try their best to ignore it until it goes away. Her actress couldn't keep with their schedule, so they got rid of her in the most pathetic horrifyingly dismissive way possible.
Personally I'm not a fan of the templar turncoat plotline they gave her, but if that's what they wanted to go with, then it needed much MUCH more careful writing and it needed to fucking GO SOMEWHERE. But it doesn't. And it sucks.
